Primary Sources

Pissarro, Camille. The Small Factory. 1863-1865. Musee National d'Art Moderne de Strasbourg.

Pissarro, Camille. Pontoise, Quai du Pothius. 1868. Stadtische Kunsthalle, Mannheim.

Pissarro, Camille. Factory Near Pontoise. 1873. The Museum of Fine Arts, Springfield, Massachusetts.

Pissarro, Camille. Morning, Overcast Weather, Rouen. 1896. The Metropolitan Museum of Art, New York, New York.

Supplementary Paintings:

Degas, Edgar. Jockeys in Front of the Grandstand. 1872. Musee d'Orsay, Paris.

Guillaumin, Armand. Sunset at Ivry. 1869. Musee d'Orsay, Paris.

Piette, Ludovic. Camille Pissarro Painting. 1870. Collection of Bonin-Pissarro, Paris.

Pissarro, Camille. Self Portrait. 1898. Collection of Edwin Vogel, New York, New York.

Pissarro, Camille. Haymaking, Eragny-sur-Epte. 1901. The National Gallery of Canada, Ottawa.

Pissarro, Camille. Apple Picking. 1886. Ohara Museum of Art, Kurashiki, Japan.

Pissarro, Camille. The Gleaners. 1889. Kunstmuseum, Basel, Stiftung.

Pissarro, Camille. Seated Peasant Woman. 1885. Collection of Paul Mellon, Upperville, Virginia.

Pissarro, Camille. Boulevard Montmartre, Mardi Gras. 1897. The Armand Hammer Foundation, Los Angeles, California.

Pissarro, Camille. Avenue de l'Opera, Paris, Sun on a Winter Morning. 1898. Musee Saint-Denis, Reims (Marne).

Pissarro, Camille. The Fair at Dieppe, Sunshine, Afternoon. 1901. Philadelphia Museum of Art, Philadelphia, Pennsylvania.

Pissarro, Camille. The Old Market at Rouen and the Rue de l'Epicerie. 1898. The Metropolitan Museum of Art, New York, New York.

Secondary Sources

Brettel, Richard and Joachim Pissarro. The Impressionist and the city: Pissarro's series paintings. New Haven, CT: Yale University Press, 1992.

House, John. “Anarchist or esthete? Pissarro in the city.” Art in America v. 81 (November 1993): 80-89.

House, John. Impressions of France: Monet, Renoir, Pissarro, and their rivals. Boston: Museum of Fine Arts, 1995.

Lloyd, Christopher. Camille Pissarro. London: Macmillan, 1981.

“Modernity: the social and the aesthetic.” Modernism and Modernity. Francis Frascina, Nigel Blake, et al. New Haven, CT: Yale University Press, 1993: 127-138.

Thomson, Richard. Camille Pissarro: Impressionism, Landscape, and Rural Labour. New York: New Amsterdam, 1990.